Showing posts with label Gunpla. Show all posts
Showing posts with label Gunpla. Show all posts

Tuesday, August 22, 2017

And These Came in the Mail

Rather, I had these sent to my school since I was on an off-site training. Bosny Philippines has once again graciously sent me free stuff, this time, my choice of 48 cans of Bosny Paints and a couple of Spray Guns.  A while back, they've also given me a few cans, a couple of the guns, some shirts, and a couple of USB drives.

The package came in in five boxes, three of which are actual Bosny boxes with the paints they come in.  The larger brown box contained the standard-sized cans.  I've also asked them from a new catalog, since the one given to me by a friendly hardware store owner several years back have become very dilapidated from frequent use.




The new catalog has a cleaner layout, which makes it easier to search for the color one is looking for.


The spray guns can be used to aid in spraying, relieving much of the stress of spraying via nozzle.  I haven't really tried to use the ones given to be a while back, since I'm rather comfortable just using my finger, and have achieved good enough finger control.  I will be raffling these, along with the other two later on.  


Now, for the nifty stuff.  My usual suspects (L-R): Flat Clear, White Pearl, Flat Black, Flat White, Gold 351, and Hondat Red 67.  I would have gotten other colors, since I did stock up a month or so earlier, but, these colors can run out rather quick, especially with the techniques I use, and of course, experimentation and testing.


New team members (L-R): Black Tint, Anodized Bronze, Blue Lagoon, Light Reflector, Stainless Steel and Mirror Chrome.  Jan Michael Aldeguer did a nice spoon test of the Mirror Chrome, but, like the regular chrome, it does get tarnished rather quickly and top coating makes it dull.  I'll be doing experiments myself on the Mirror Chrome.

It's worthwhile to note, I got the Light Reflector and the Stainless Steel to see the extent of what the paints can do for Gunpla.  I'm curious as to how the Stainless Steel will actually look on plastic, though it looks like a slightly darker version of the Metal Alloy.  As for the Light Reflector, it has a rough texture on the swatch and is somewhat glittery when the light angle changes.

There's also a Phosphorescent Glow-in-the-Dark spray can in the catalog, which I probably missed while checking for colors in Bosny's website.  I'll see if I can procure that and test it as well.


Of course, I would be amiss if I didn't get these.  My all-time favorite buffer and candytone undercoat, the Bosny Premium Metal Alloy.  I also use the Metal Alloy as my "Silver" in most of my paint jobs, mainly because its faint yellowish tone looks a lot nicer than the bluish-gray tone Aluminum, Silver and Metallic Silver.  I got 12 cans of these babies.  A while back, I bought 6-pack box of Metal Alloy, 5 of which were duds, where I ended up with lumpy splotches of goo instead.  I guess this more than makes up for that.


That's it for now.  This post also marks a 3-year blog post absence since everyone seems to prefer quickie Facebook posts more than detailed blogs. 

Thursday, February 20, 2014

A word from Katsumi Kawaguchi

First of all, if you don't know who Master Katsumi Kawaguchi is, maybe it's time that you do.  He works at Bandai's Hobby department, demonstrating how to build Gundams for the longest time, and serves as Bandai's spokesperson regarding everything Gunpla over the years.

In case you're wondering where I got the "idea" that the terms "Gundam" and "Gunpla" are Bandai copyright, it's simple research (and common sense, which A LOT of people lack nowadays).  Regardless, a lot of people (who buy bootlegs) doubt this, and despite bootlegs are no longer being labeled "Gundams" by the bootleggers, people continue calling them as "Gunpla."

On my previous post, I added a post he made on Facebook, verbatim.
はっきり言っときます。
FB上で海賊版キットを掲出している人には私はフレンドの承認をしません。
海賊版だと知らずにアップロードしている人も申し訳ありませんが同様の対応をします。

I say clearly.
I do not have approved of a friend who has been posting pirated model kit on FB.
Model kit does not have the name "BANDAI" is not a GUNPLA.
Sorry some people are uploading without knowing's pirated, but I will be the same correspondence.
Well, this confirms what I have been saying and makes it official.  Bootlegs are not Gunpla, no matter how we want to put it.  Since bootlegs didn't go through the same rigorous process or research and development Bandai kits have, they have not earned the right to the title.  Master Kawaguchi rarely posts in English, and when he does, you can be sure it's important, since he is trying to communicate with ALL of us.

Sure, bootleggers will say they don't care.  Of course they don't.  They don't have as much respect for actual GUNPLA as a hobby.  Don't get me wrong, I understand why people buy bootlegs.  They're CHEAP.  Other than that, there's nothing else.  Gunpla is expensive, because they actually have to PAY people that work on developing the same kits you buy bootlegs for.  Imagine, if there is no Bandai producing authentic kits, there won't be any bootleg for you to buy. 

He aired that same sentiment here:
Quality of pirated model kits has improved compared to the old days. There is also a model kit not inferior, even in comparison with GUNPLA.
We licensee is going to have to strive to create a Gundam with the licensor.
Or more, which is a business, we contract with the licensor, we are selling the GUNPLA paying consideration.
It becomes the source to foster the consideration Gundam. Is produced as a source its consideration also new Gundam.
What I'm concerned about is to include it in by pirated model kit flows, such circulation is cut off.
It will ensure that pirated model kit becomes so many distribution, Gundam die out soon.
If I got it right, he might be talking about Dragon Momoko's recent production.  Bandai (or at least, Master Kawaguchi) is considering getting DM as a licensee (which is what DM claims to begin with).  Isn't that good news? 

But, I'm only speculating on the context of his statement.  He might be saying that if a bootlegger becomes an official licensee that produces Gundams/Gunpla, then you'll basically be paying Bandai price for THAT licensee's products as well.   It's the same thing as someone buying a franchise license to, say, Jollibee, or McDonalds.  The franchisee will still sell the products they franchised at the pricethe mother franchise dictates.

His last two sentences should be taken note of, because it's the same thing I said.  No Bandai.  No Gunpla.  No bootlegs.

No hobby for anyone. Any reasoning other than bootlegs are cheap you may employ to defend why you buy bootlegs is SELF-DEFEATING.  That's why I said "If you can't afford Bandai, get another hobby you can afford" in my previous post. 

A hobby involves money.  Even CHEAP bootlegs cost money.  If one does not know how to prioritize, saying that one has children and can't afford to buy Bandai so one buys bootlegs instead as an alternative is a self pity stance.   You have children.  PRIORITIZE them.  You need a hobby, go knit, or do some cross stitching, or READ a book or something that will not devastate your finances so much, you have to use having children as a reason why you buy bootlegs.

There goes your "alternative" hobby.  Because you bought bootlegs, you also killed the REAL hobby in turn.  This is also one of their reasons why GBWC Philippines came up with the receipt requirement in addition to the box as a preventive measure against people using bootlegs as entries, in part, in full, or both.  You don't care about the GBWC, why, thank you a lot for ruining it for those who do.

Here's more.:
There is no change to being an unlicensed kit what the name of the BANDAI does not contain even Resin kit claiming to GUNDAM.
Resin kits.  Definitely not Gunpla, as resin is considered a different material.  If a resin "design" improves a current one, it may not technically be bootlegging, but it still infringes on Bandai's copyright.  I would have to think long and hard if I am to push through with our plan to create a 1/60 resin Masurao.
We're aware that there are a problem of price, is the problem of the correandaissponding support.
We think that it is an issue such as improvement of production system and so on we should overcome.
I am aware that there are many issues and challenges realistic.
It is that there is no way So if you reject us that can not be eliminated current challenges. There is no enforceable against you guys for us.
However, there is no change in that it is a stance that rejects pirated model kit I am.

In a variety of environments, and there are those who enjoy the model kit under various constraints is that I understand. It can not deny anyone.
However, even what benefits, it is that stance I would not tolerate the presence of a pirated of the model kit.
I'm not going to discuss the pros and cons of pirated model kit here I am.
It is the judgment of all of you is whether or not to accept me standing in such a stance.
I think that the "registered friends" of the FB is a thing like that.
Did you get it?  He's still given you the liberty to choose, but, make the right choice.  The more you buy bootlegs, the more difficult it is for Bandai to produce more and better products, because they are losing profit to bootlegs.   Profit that gos to paying people to develop the next line of kits.  Whereas they keep improving their production methods which costs money, bootleggers don't really spend anything in that department.  And you curse at Bandai for not giving you what you want and releasing exclusives or color variants all the time.  They do that to augment the profit the lost to bootlegs.

Lastly, in a PM conversation, I asked him to confirm if Dragon Momoko is a Bandai licensee.  His response, verbatim:

Model kit of the Dragon Momoko is not licensed. Never Bandai entrust production and sales of GUNPLA to other companies.
There you go.  From the Bandai Man himself.   Malvin of GTO did mention this some time ago, when the DM MG Strike Freedom was released, because the detail was "99%" close, as some have claimed.  Maybe this will end the debacle.

You ask me if I have pirated stuff?  No.  I don't pirate stuff.   I avoid downloading MP3s unless I pay for it, and I avoid downloading that violate copyright laws.  I'm a musician and a songwriter, and is one of the reasons why I understand copyright.   I also teach Adobe Software, and speak at seminars about creativity, originality and copyright, so yes, I can LECTURE anyone about the perils of buying bootlegs. 

Now, having said all these, having made an effort to disseminate information for your benefit, you have a choice to make.  Still gonna buy a bootleg, I suppose?  Yes, because obviously, despite being shown the truth, you're really just a cheapskate bootleg "collector."  It's not that you can't afford to buy Bandai, you just don't know what true value really is.

The money you save from buying a cheap bootleg less than quarter the price of a Bandai kit goes a long way, maybe buy you some BOOTLEG milk (imported from CHINA) for your kid.  But, THINK.  You buy 10 bootlegs for 500 each.  You later try to sell them, for how much, you ask? 

Bootlegs, even unbuilt ones, have a very low resale value.  You'll be hard-pressed to sell those 10 at a profit, most likely you'll sell them at a loss.  Whereas, concurrently, I have 4 unbuilt Sinanjus I procured over the course of several years that I plan to use for a big project.  I saved enough money from each of my project to get one.  If I suddenly need cash, I can sell those 4 Sinanjus for a little profit over the price I got them for.  I made an investment, and it worked for me.  Whereas you ended up with 10 lousy bootlegs you'll be hard-pressed to sell, if at all.

Okay.  It's your money to waste.  It's your right to choose.  Go buy that bootleg.   But, take a long, hard look at that bootleg you purchased, and think of the people who worked hard of getting them to you.  The REAL people who worked on developing it, only for bootleggers to copy it so you can get your fill of the hobby.

The time might come that it may be the last one, because there are no other kits to bootleg. 

On a final note, would anyone want some fine and fresh bootleg milk and onions?



Monday, February 4, 2013

And Miles to Go Before I Sleep

Stopping by the Woods on a Snowy Evening 
by Robert Frost

Sunday, November 18, 2012

Of Storytellers and Stone Cannonballs

Even with a lower entry turnout of entries this year, the GBWC wasn't so uneventful to at least some people, both entrants and spectators.  I've previously posted about being good sports and "all that jazz," but that is not what this post is about.

Well, almost not.  As a creative consultant cum art/creative director cum experimental photographer cum writer/songwriter cum all-round repairman (as a joke, I say I cum a lot), I try as much as possible to be "original" with any form of creative effort I involve myself in.  That's getting to be a very difficult effort more and more these days as I get older and them young 'uns just keep getting younger and craftier, but, like a warrior hell bent on whatever, I guess I'll carry on doing creative stuff, or any semblance of it, till I can do it no longer.

Jude Devereaux once(?) said, "there are no new stories."  He is very much correct in that aspect that every story ever told have been told and retold a million times over, in a span of a million or so generations.  But, a friend amended that adage, quite wittingly, if I may add; "there are no new stories, only new storytellers."  I have since then adapted that as my personal philosophy.

You may ask, has this anything to do with Gundams or Gunpla, or is this another one of your "socially relevant posts?" I'm getting to that, and the answer is both.

With exception to my Facebook posts, I haven't been posting any blog updates with regards to the Haribon, because personally, I believe the project is actually done, and during the last couple of weeks I had building, I barely had enough time to wander out of my "cave" to even write anything.  For me, writing takes time.  This post alone took hours convincing myself to write, because I reasoned that the Facebook post related to it should be enough.  In that post, I talked about covering all my bases, but how is not posting a blog update be that?

A few hours earlier, I was at awe with a Facebook post at both MACFB and GundamPh regarding most everyone's fave kit off all time (I say most, because some don't see why it's everyone's favorite kit).  I'm talking about another Sinanju, this time "hybridized" with pair or Desthscythe wings.  More on that later.

So what, you may ask?  Well, ever since I started the Haribon a few months back, when all my plans of conquering the universe with the Bathala got derailed by a GBWC rule change, I had to rethink a lot of things mainly because I didn't have a backup plan, and to begin with, I didn't even have a plan A.  With barely a couple of months for me to build anything MatX style, I began that long, short journey into the unknown with nothing but an idea, and a "perfect" kit" for that idea.

Hence, my kit choice for the Haribon was no fluke.  I never even knew of the Marasai till I saw the MG version at GundamGuy's blog, so when I went a-hunting for kits at TRU Makati (before they closed for the transfer), I wasn't at all a bit surprised when I saw an MG Marasai hidden behind several kits deep, in that two arm-span display case.  The salesperson remembered me well, and he connected me to another modeler (whom I happened to know) who also had the kit reserved, but that's another story.

At this point, you're already wondering, "where the hell is this going?  What has one seemingly irrelevant thing got to do with another?"  At this point, if you're still reading this, I can only bet you don't even know you're knee-deep into a story, carefully woven to draw you in.  And this story is about Stone Cannonballs.

This is what you did, "Senator..."

Well, during the GBWC, people said things, other people heard what those people said, and told other people what they heard.  if you've read the bible, or listened to gossip, you'll find out fast that as the story changes lips, the story also changes.  But, like in our current events, like how a certain senator has fast become our country's shame, some people copy other people's ideas, but how can Person A copy Persons B's "idea" if neither has seen each other's work until the event?  Person A actually ASKED ME if he can copy from me with the Ronin (If you're listening, dear senator, that's what asking permission to "reference" someone else's is), and he credited me later on (and that is what we call accreditation, or citing one's source).  Person A asked permission and credited me, despite the fact that I don't even consider what he did as being "copied" if at all.  He used the techniques I used on the Ronin and I believe he made a few improvements on his own (that is called innovation) applying what I did with cans with an airbrush. 



But that's not what this story is about, though they're still rather connected.  There are times, when two people separated by distance and culture, think somewhat alike, and somewhat at the same "wavelength" as the expression goes, come up with similar ideas without even knowing it, till one sees what the other has done.

And here is where the story comes together.  A few hours ago, someone posted this at MACFB and GundamPh:

"Encounter" by Yamatatsu, 2011 GBWC Japan Champion

I got a mild panic that ran a few seconds, because the concept is rather similar with that of the Haribon's original dio.  Mine had the Haribon hovering over water, pointing at a human atop a seaside cliff.  I later decided to ditch the water + cliff scene as the deadline loomed mainly because the Vallejo Water effects took longer than I have expected to look like water, the case being I was biting more than I can chew and choking after i tried to swallow it.  Forget the other elements involved, I recognized the concept being too similar on two elements;  the human and the robot standing over.

Since I wasn't able to enter at all, I wasn't planning on revealing anything else but the Haribon, and how far It was in completion, and how far I have gone in terms of speeding up my builds, not to mention how closely I have come this time to achieving AB quality using cans (yes, my spray can detractors, I have discovered a not-so-new way to use cans).  I wasn't going to show the diorama, but a few people are privy as to how it looks like.  A few hours after seeing the great work of Yamatatsu above, I felt compelled to reveal the diorama, citing the incident above.


"The Chosen"

This is where the Stone Cannonballs come in. I got this idea from an episode of Mythbusters, during a discussion at Facebook about the above photo.   Apparently, the English could have used these Stone Cannonballs to prevent enemies from using their own ammo against them, either by reusing the ammo or melting them into new cannons. 

I'm quite familiar with how some people use ignorance (or being ignorant) an excuse to accuse someone of, say, COPYING someone else's work (like how that same senator is now accusing the long-dead Kennedy he copied from to take the heat away from him.  I mean, how DUMB, and in this case, a senator, can one person be?)  that even though I posted this earlier on, I will still be accused regardless.  That's just fine by me, except that since now I've covered all my bases so far, they can't accuse me anymore even if they try their best because this blog post, and my FB posts are now DATE STAMPED Stone Cannonballs.  They can't shoot them back at me anymore; these are designed to "shatter into pieces but still inflict the same damage like a steel cannonball."  If you can't figure out the allegory, it doesn't really matter, but it simply means I prevented "the enemy,"  whomever that is, to shoot at me with mine own ammo.  They won't even be able to "shoot blanks."

So there.  As I delve into Yamatatsu's diorama and mine, the differences in concept begin where the similarities end.  We were telling a different story with a rather similar scene or setting.  I'd like to believe that adage "great minds think alike," but how can I say it without sounding crass (as far as some people are concerned)?  He obviously likes the Sinanju as much as I do, since this is his second Sinanju entry as far as I know.  Of course, like I mentioned earlier, I can't really compare his work in terms of skill to mine.  I'm not ready for a water effect diorama, and a friend was right in warning me about it, that it's one of the most difficult to pull off.  Hence why it changed in the first place into something I could pull off quick.

There are no new stories.  But new storytellers can instead tell the same story in a different light...





Monday, November 7, 2011

The Ground of the Dragon Shrine

The 4Ps of Gunpla: Plastic. Practice. Patience. Pain.

After 20 hours of etching on 1.5mm HIPS (and, with painful hands and arms afterward), the ground pattern for the Dragon Ronin's shrine has finally "taken shape." I've "undertraced" the Dragon by attaching the print over the HIPS with double-sided tape, used a sharp knife to score deep enough onto the plastic, then later on deepened the grooves using a dried out microline pen like a stylus. For the Yin-Yang stones, I used a compass and a circle cutter to score the plastic, and used the same stylus to etch the details.

Posted Image

I had to shoot this at an angle to make the "stones" visible. The Dragon itself is visible because I've penciled in on the grooves.

The Newbie Stash

Source This is a collection of specific guides for reference in Gunpla Building and Modeling in General.  • Gunpla™ and Modeling Terminolog...